The 10th anniversary of the RetroModern Gaming blog has just passed, and as such I just wanted to put up a quick post to mark the occasion. This isn't all that I'll be doing to celebrate, however - I plan to create a new series that highlights 3 - 5 amazing games from every year between 2004 and 2014. This will most likely take the rest of the year and probably some of next year to finish.
Unfortunately there will be no new episode of PS2 Tuesdays this week - the previous Wild Arms 3 episode barely got any views at all, and Destiny just recently came out, so I chose to spend my Sunday playing that instead of making something that nobody would appreciate. The series will be back the week after, and the delay will give me a bit more time to play some more of the featured game (Jak & Daxter) so the quality should be better overall.
Also, I wasn't going to review Destiny but my nephew has requested it, so I'll see what I can do. Until then, here's to another ten years of RMGB!
Monday, September 15, 2014
Tuesday, September 09, 2014
This week it's the turn of Wild Arms 3 - a fantastic and quite overlooked RPG. I would like to start this episode with another personal history lesson, as I often tend to do, and go over my experience with the series. I picked up the first Wild Arms in 1997 when it was released for the PS1, and it was actually my first serious attempt to play through a turn based JRPG. At about 10 or so hours in, I got stuck on a particular boss (Zed), and at this point the concept of grinding for levels was completely alien to me, so after retrying the fight half a dozen times or so and failing, I gave up. Then Final Fantasy VII happened, and Wild Arms became forgotten until some time around the year 2004, when I found Wild Arms 3 in a bargain bin for £10. At first it didn't even occur to me that it was part of the same series that I had tried some 7 years before, though when I heard the music and started to get the gist of the plot, it began to come back to me. After thoroughly enjoying the game from beginning to end, I then went back and played through the first two game in the series (having to import part 2 from the US). By then, both Wild Arms 4 and Wild Arms Alter Code F (a PS2 remake of the original) had been announced, and I imported them both as soon as they were available. I hope to get around to covering the rest of the series in future seasons, but first things first, let's dive into what makes Wild Arms 3 so special, and quite possibly the best entry in the series!
Wild Arms 3 is a great western RPG, and by that I don't mean one that's been developed by team from Europe or the US, I mean western in the howdy pardner, rootin' tootin' Clint Eastwood / John Wayne sense of the world. The western influence has been present in all the games in the series, yet it hasn't always been as strong as it could have been, with the first two games having quite a large amount of fantasy influence in them, and the fourth game veering into the realm of science fiction. This time around though, every one of the four playable characters carries a gun (or ARM), you get to ride horses, raid a train, fend off dastardly bandits, and do other cowboy type stuff. The characters include Virginia Maxwell, who is a descendant of "Calamity" Jane Maxwell from the first game, a young Baskar (native American style culture) by the name of Gallows who is desperate to leave his village, the loner Jet Enduro roaming the world looking to make his fortune, and the wise sniper Clive Winslet who is taking on random jobs to help pay for medication to heal his ailing wife back home.
Next up, the presentation - Wild Arms 3 is incredibly polished, with a fantastic animated intro that plays each time you load your save and actually changes to represent what's going on in the story. The tune that accompanies this intro is also one of the best from the series, bettered only by the extremely catchy whistling theme from the PS1 original. This is bookended by another great tune and a series of screens that summarise your character level and other stats should you say no when asked if you want to continue playing after you save your game. The music that accompanies the main game also happens to be one of my favourite RPG soundtracks - series veteran Michiko Naruke turns in some fantastic pieces, from the upbeat toe tappers that can be found in the many dungeons and the over world, to the more laid back tunes from the many towns such as Claiborne. Visually, the game uses a cel shaded look with a paint like texture that looks quite good most of the time, and a bit odd at others. For instance, Virginia's hands look freakishly huge in her white Mickey Mouse style gloves, with fingers that resemble sausages. Overall though, the game is incredibly slick, and it feels like you are watching an episode of a great anime show each time you fire it up.
The game play is fairly traditional turn based stuff but there are a few twists that this series throws into the mix. Early on in the game each of the four members of your party gets their own "Medium" - an object that allows them to connect ancient guardians of Filgaia (the planet the series is set on) which allows them to cast spells, use special abilities an summon the guardians to aid in combat. To use all these things you need to earn Force Points (or FP), which can be done by attacking enemies, taking hits and evading incoming attacks. Building up your FP to certain thresholds (like 10, 30, etc) allows you to use spells like Cremate or Heal without actually expending any FP. Then there are certain character specific abilities like Clive's Lock On which is allows you to hit enemies that usually have a very high evasion rate, or Extend, which lets Gallows use a spell like Heal on the entire party instead of just one person. These actually do use up FP.
The one other thing I want to touch on the the dungeon design and the puzzles. Each of your characters have their own tools, like a bomb, a flame crest or a boomerang, and there will typically be locked doors throughout the dungeons that will require you to blow something up, light a torch, or hit a switch with the boomerang. None of it is especially taxing, but it does help to add some variety to the game play and stop you from getting bored with endless random battles. Also in the dungeons are two different types of crystal - red and white. You characters have a bank of vitality, and when a fight ends with them on less than 100%, this vitality is expended to top it back up to maximum. The red crystals in the dungeons refill this vitality. The white crystals are related to a system that allows you to skip random battles. Just before one is about to be triggered, a white exclamation mark appears over the head of your on screen person and you have a second to cancel the battle. One ECM point is used up by doing this, and should you run out you will then be forced to fight. White crystals restore your ECM meter.
If you're still open to playing games on the PS2 and not all about the current generation, then I would really recommend checking out Wild Arms 3. Whether you check out the preceeding games in the series is up to you - it's not entirely necessary (there are connections to the first game throughout the third, but the story is self contained enough for it to not really matter). I'm going to try and cover another RPG a bit later on in this season, but they do take a bit more preparation than the standard episode. Next time though, I'll be looking at a classic platformer - Jak & Daxter: The Precursor Legacy (with HD footage!).
Tuesday, September 02, 2014
Rumble Racing is the sequel to a year 2000 PS1 game called NASCAR Rumble which is quite highly regarded by those who played it whilst growing up. Whilst NASCAR Rumble still had some vague resemblance to the populular US motorsport that inspired it with cars that are covered in liveries that are similar to their real world counterparts, Rumble Racing distances itself even further from everything NASCAR. It's really just the basic car designs that have anything in common with the sport by this point. So there's not much there for die hard NASCAR fans, but for those of us who happen to enjoy a fun arcade racer now and again, Rumble Racing actually has quite a bit to offer, with a few reservations.
Firstly, this being a fairly early release in the life of the PS2, the graphics are not super detailed. The game doesn't look ugly by any means, and it moves at a nice fast pace which is the important thing - but you can tell that the developers hadn't tapped in to the full potential of the console by this point. There are 14 tracks in the game and all of them are nicely designed, with their own unique styles. There's quite a bit of variety from tracks set in the countryside, on the docks or in special arenas that have ramps all over the place for you to flip off of. When you do manage to grab some big air, you can hold down the R2 button and press the left stick in a direction to flip your car, and if you successfully land it safely on all four wheels you get a temporary speed boost. This mechanic reminds me of SSX, and Rumble Racing could quite easily have been part of the EA Sports Big brand, though it wasn't part of that series for whatever reason.
The range of power ups is actually quite good, with the stand out highlight being a twister that lays waste to anything before it. You have to be doing really badly to get this though - think of it as this games equivalant to something like the Bullet Bill in recent Mario Kart games - the item that quickly lets you get back into the fray after you've been bumming around in last place for a while. Some of the other power ups that I like include one that makes the front of your car glow and allows you to plow into the other racers, sending their cars careening through the air, and some more standard things like a bomb, oil slicks and acid that you can shoot in front of you. It's a shame that you can't shoot behind you as well like in most decent kart racers. Instead your only defensive options are a pulse that fires out in a circle from your car (and can actually help your opposition if you shoot it into them from behind, thus giving them a boost), and a temporary shield. One of the power ups seems a bit useless to me though - it just fires out a bunch of rubble that seldom hits anybody and doesn't seem to slow the other cars down if they drive into it. Perhaps I'm just using it incorrectly.
Sound wise, Rumble Racing features an announcer that can both be amusing at times and downright annoying at others. He reminds me of Gregg Proops, and at first I thought it was indeed him, but apparently the guy who actually does the voice is Jess Harnell who is perhaps most well known for the US TV show America's Funniest Home Videos (similar to the UK's You've Been Framed). He has also done some other well known voices such as Wakko in the fantastic Animaniacs cartoon from the 90's, Crash Bandicoot and Spyro the Dragon in some of their games, and the Transformer Ironhide in the Michael Bay films. There is actually quite a decent variety of lines for him to say in Rumble Racing, so you don't hear them repeat too much. Some of them are actually track specific too. That being said, some of his one liners are a tad obnoxious, and when you're doing badly at the game they only serve to piss you off.
Finally, we come to the actual gameplay. For the most part, Rumble Racing is a slick and enjoyable arcade racer. It's at its best when played in multiplayer - the single player mode however has some issues with its structure. Firstly, the game only doles out one new track per cup, with the other two tracks being ones that you've already seen before. This makes progession a little bit repetitive - it would have been better to have had less cups overall if you ask me and have had each of them contain unique tracks, just like Mario Kart (yes, that game again!). To make matters worse, the game insists that you come in first place before allowing you to move on to the next cup. As winning is down to a combination of skill and luck, this can prove quite annoying and the last thing you will want to do sometimes after coming second by a point or two is to play the same cup over again. Luckily though all of the passwords needed to unlock the other cups and cars can be easily found on sites like GameFAQ's - so I would advise you to just do what I did and unlock everything up front so that you can just enjoy the different tracks and not have to beat your head against the wall trying to get anywhere with it.
So then, overall I can recommend that you pick up Rumble Racing, especially if you have someone else who will play it with you. The game can be found for around £5 on sites like Amazon and eBay, and who knows you might find a copy for even less than that if you're lucky enough to have a retro games shop or car boot sale near where you live! That's all for today - tune in again next week for another episode of PS2 Tuesdays!
Sorry for the belated post - this should have gone up last Tuesday. As a result you will be getting a double dose this week!
Shadow of the Colossus is the follow up to Ico, a much beloved action adventure title that was first released in Europe in 2002, and then reprinted in 2006 due to demand from those who had heard of the game but not had a chance to pick it up. I bought Ico the first time around, and I really tried to like it, but it just didn't grab me. There was something about the gameplay that I just found annoying. Since then I have tried again several times yet failed to finish the game each time - with the most recent attempt being a few months ago. I had originally intended that Ico would be the first episode of PS2 Tuesdays season 2, but after putting the controller down in frustration once again, I finally made peace with the fact that I would never beat it, and I should just focus on enjoying the infitely more enjoyable Colossus.
I also bought Shadow of the Colossus on the day of its release in 2006, and this time fell in love with the game almost immediately. I had already been smitted by the concept of battling one humungous boss creature after another after reading an article in Edge, when the game was still known as Wanda and the Colossus, and after that I followed the project with great interest until the game finally became available. I can still vividly remember setting out from the temple for the very first time, using my sword to reveal the location of the beast, and then climbing a small cliff where the creature was to be found. Battling this behemoth was quite clumsy to begin with, as I had to get to grips with switching between my bow and my sword, and the rather unorthodox grip mechanic.
Each of the 16 colossi that your main character has to slay have rather convenient tufts of hair and other bony ridges that you can hang onto or lodge yourself in while taking a quick breather. It's up to you to navigate their bodies and locate a weak spot, which is denoted by a glowing runic symbol if you have your magic sword in your hand. Some of the colossi have multiple weak spots, others just have one (usually on their forehead) and battles usually comprise of two stages, at least for me. The first is simply working out how to get onto the boss - a fairly simple process for the first few battles but a increasingly complex procedure when your adversaries can fly, swim or are covered in tough armour plating. A few violent stabs with your sword will wittle down their health bar, whereupon the weak spot either fades away and you must find another one, or you have slain the monster.
But just who is the real monster of the game? These lumbering creatures that your bringing down don't seem to be doing anybody any harm until you come along at the behest of some disambodied voice. It is clear that you are killing in the name of love, as the opening cut scene shows your character on his horse with the lifeless body of a girl draped across it. Whether this is your lover or your sister isn't made clear. There is a legend that this part of the world holds the secret to bring the deceased back to life, and the gentle giants that populate the landscape must pay the ultimate price. The dark tentacles that writhe out of their fallen forms and shoot into your chest each time you bring one down suggest that you may also pay a steep price, however.
Shadow of the Colossus features an amazing soundtrack, and visuals that still look great to this day. The original PS2 version did have quite noticeable slowdown at times, something which the HD rerelease has addressed, making it the utlimate version of the game. Team Ico have teased us for years with trailers and screen shots for The Last Guardian, the planned third part of the "Ico trilogy", yet it still hasn't been released, and Sony are still adamant that it hasn't been cancelled. Let's hope it finally makes its way onto the PS4 in the near future, as what has been shown off looks fantastic!
Friday, August 08, 2014
Personally I think Vanquish looks pretty darn good for a 4 year old game. The space colony that the game is set on is nice and detailed, there is very little slowdown during combat, and there are some great robot designs. The huge bosses that you will encounter during the five acts of the game are a particular highlight, with some of them towering over the player. Also of note is the main DARPA robot suit belonging to the player character Sam Gideon - it brings to mind the designs of Yoji Shinkawa (of Metal Gear Solid and Zone of the Enders fame) as well as the suit from the Gamecube game P.N.O. 3. My only minor gripe is that the design of the colony itself could have benefited from a bit more variety. Apart from a brief section in a park, most of the action takes place in similar looking corridors.
Sound and Music: 7 out of 10
The music of Vanquish is perfectly decent and helps add to the excitement of battle, yet it is not particularly memorable outside of the theme that plays over the end credits. This is partly because it can get drowned out a bit by the noise of battle, as bullets, rockets, and robot shrapnel flies all over the place. The dialogue can be a little bit on the corny side, and also tends to bit a bit overacted, despite having a cast made up of experienced voice actors like Gideon Emery and Steve Blum. As far as the sound design is concerned, there's not much here that stands out, apart from the noise when you switch weapons, and the way everything is slowed down when you go into bullet time.
|I for one would like to see a Vanquish 2 one day - how about you?|
Yes, Vanquish is yet another title in a long line of games that have incorporated bullet time into the gameplay, but it really works well here and is a fundamental part of combat. Though the levels do offer opportunities for cover, it can be destroyed fairly easily by the bigger enemies in the game, and the play is even penalised for the amount of time spent cowering behind crates and the like. You are actively encouraged to use your suits slide boost or a roll to navigate the battlefield and get yourself out of trouble, and while doing so you can hold down LT to enter bullet time and take down your enemies. This bullet time doesn't last forever though - there is a meter in the bottom right of the screen that depletes while time is slowed, and if it empties completely then your suit overheats. While you're waiting for the suit to cool down again you are extremely vulnerable to enemy fire, so what I tend to do is drop out of bullet just before the meter runs out, so I'm not left without shields at a crucial moment.
You can equip up to three different weapons at a time as well as EMP and traditional grenades. The weaponry varies from your standard assault rifles, sniper rifles and rocket launchers to some more interesting fare like disk launchers and lock on lasers. My load out was usually a combo of the normal assault rifle because of its high ammo count, the heavy version of it for taking down the larger "RI" robots quickly, and then something a bit more interesting in the third slot depending on the situation. There are quite a few times throughout the campaign that calls for a sniper rifle for example, yet I'm not that keen on them so I would swap this out for a rocket launcher of shotgun given the opportunity. Sometimes downed enemies will drop upgrade cubes as well, and picking these up with a particular weapon selected will improve that weapon in some way - be it a higher ammo capacity or more damaging rounds. Dying on the Normal difficulty or above will downgrade your weapons by one level though, so be careful!
Innovation & Cleverness: 5 out of 10
The main thing that Vanquish brings to the third person shooter genre is the slide boost mechanic, and it is a very fun thing indeed. In all other aspects though, it's quite a clichéd game, from the setting, to the story and the weapons on offer.
Value & Replayability: 4 out of 10
Here we come to perhaps the biggest flaw of the game - its length. My completion time of the entire campaign came in at under 5 hours, which is incredibly short for a full retail release. Even now, when the game can be picked up for £10 less, that's still a little on the lean side, but I still think the overall quality of the game means that you should check it out. Sometimes it can be good to play through a game in a single weekend, instead of it taking weeks or months. If you have a friend who can lend you their copy though, I would still recommend that over buying it yourself - or maybe hold out for it to appear as part of Games with Gold or the PS Plus Instant Game Collection.
Overall: 8 out of 10
Throughout the majority of the first act I wasn't really feeling it, but after doing battle with the huge boss of that act I was along for the ride. Vanquish may be a little rough in certain aspects such as the story and the acting, and it's an all too brief experience, but at least that meant I was left wanting more. Sadly I don't think the sales were strong enough to make a sequel worthwhile - but then again I thought the same about Okami and we still got Okamiden quite a long time later! If you know someone who can pass you their copy of Vanquish for a weekend, or you spot a copy cheap somewhere, then I recommend you give it a try.
Wednesday, August 06, 2014
Deadly Creatures sees you take control of a Tarantula and a Scorpion as they navigate their way through various treacherous environments within the Sonoran desert. Throughout the game they will cross paths with each other, as well as rattlesnakes, gila monsters and two humans voiced by Billy Bob Thornton and Dennis Hopper who are on the hunt for some buried gold.
The game was published by the now defunct THQ and developed by Rainbow Studios, probably most well known for their work on racing franchises such as ATV Off Road Fury and Splashdown. It was released in 2009, and has gained a small fan base over the year, but remains overlooked by many. Hopefully this review will persuade you to check it out!
Graphics: 8 out of 10
First of all the animation of the two lead arachnids is superb, with your spider and scorpion skittering around the environments in an incredibly realistic fashion. This also extends to the other creatures that you will face throughout the course of the game. The scorpion has access to a range of finishing moves too, some of which are extremely brutal to watch (I am thinking of the one for the rat in particular, which ends with the scorpions stinger embedded right in the poor rats brain).
I do have a minor issue with the graphics in some of the stages, in that things can get extremely dark, making them hard to navigate. This is even with the gamma settings properly adjusted for my TV. There's also a bit of a problem where things look like you'd be able to walk on them, but in fact there are invisible walls blocking your path. This is mitigated somewhat by a guide arrow that can be displayed by pressing the 2 button on your Wii remote.
Sound and Music: 7 out of 10
The music in Deadly Creatures is mainly in the background and there to help maintain the menacing atmosphere. In this game, pretty much everything is out to kill you and the score is oppressive and dark. Backing this up is a variety of snarls, barks and squeaks that the various other insects, arachnids, lizards and mammals make. The spiders sound suitably disgusting and just playing this game makes my skin crawl - the presentation is that realistic.
Capping off the sound is the voice performance of Billy Bob Thornton as Wade and Dennis Hopper as Struggs. They aren't in the game a huge amount - you get to see their story at the beginning and end of the game, and cross paths with them several times throughout the game. They do a solid job of portraying a couple of very nasty individuals, and their presence elevates the game overall as well as adding a bit of mystery to the whole thing. You will want to keep playing to find out what they're up to and what fate has in store for them.
|A creature, looking pretty deadly.|
I've already mentioned the issues I had with the dark levels and getting lost from time to time. Well, this is more of an issue with the spider than with the scorpion, because the spider levels are typically much harder to navigate around to begin with. A few stages into the game, your spider friend will gain the ability to jump to webs that are handily positioned around the level. Finding them can be a bit of a chore sometimes, and once you jump from one to another it can be easy to get turned around. The guide arrow does help a lot with this though.
Sadly, the scorpion is not without its own gameplay issues. The early levels are fine really, but as you progress you will first get the ability to dig up dirt, and then the ability to chop down foliage with your pincers. Combined with the finishing moves that I've already mentioned, what this adds up to is a whole lot of wagging, which gets pretty tiresome after a while. Generally the motion controls are actually very cleverly thought out and implemented - there's just a bit too much of it during the later scorpion stages. Luckily you alternate between the spider and the scorpion throughout the game, giving your poor old elbows the chance for a rest.
Innovation and Cleverness: 8 out of 10
Deadly Creatures deserves a pretty high score here - firstly for the rather novel idea of letting you take control of a pair of killer bugs, then for the way that it brings in the story of Wade and Struggs with their celebrity voice overs, and then finally with the clever motion controls. Swinging the remote and nunchuk to deal out death to poor rodents is extremely satisfying (if a little tiring). The final level is also very clever if a little infuriating to beat. I'm not going to spoil exactly what it entails here though.
Value and Replayability: 6 out of 10
If I were reviewing a brand new, full priced game then I would have awarded a much lower score here. Deadly Creatures can easily be found for around the £5 mark though, which a good price for a game that takes around 10 hours in total to beat. The replay value is questionable - there are over 400 optional grubs to find hidden throughout the levels, but all that they unlock are art galleries so I don't feel the need to go back and play the game again. This is a "one and done" experience really.
Overall: 7 out of 10
Deadly Creatures is a flawed game, there's no doubt about it, but it's clever enough and cheap enough for me to recommend it everyone. There aren't very many games out there that are like it, and the fans are hoping that one day we will see a Deadly Creatures 2. That may not happen, but at least we have the original - just one of many such unique and clever games on the way if you can be bothered to look hard enough.
Wednesday, July 23, 2014
On the whole I was really impressed with the visuals of Arkham Origins. Everything is extremely moody and atmospheric, which works really well in single player. I found the sheer darkness of the levels was a bit if a problem online though, which is where your enhanced vision comes in. Batman can use detective vision as much as he wants, and indeed it is key to solving puzzles offline, but if you're playing as one of the Joker or Bane's thugs online you only have limited use of it before it goes on a cooldown. For a lot of the rest of the time I was blundering around in the dark. However, combined with the sound, the excellent graphics really drew me into the world of Gotham and the story that was being told.
Sound and Music: 8 out of 10
The music in Batman: Arkham Origins, whilst definitely echoing the work of Hans Zimmer on the Christopher Nolan movie trilogy, still manages to add something new with the embedded Christmas music in the score. The game is set on Christmas Eve night, you see, so it makes a lot of sense, even if I happen to playing the game in the middle of summer. Voice work is once again top notch, even if I personally prefer Mark Hamill as the Joker and Kevin Conroy as Batman over the new guys. The game also features top quality sound design, from the trademark boom of Batman's exploding gel, to the cool effect that pulses through your speakers every time you level up. Top quality stuff, overall.
|It's good to see some of the more unusual villains from Batman's pantheon get a chance to shine, such as Black Mask, Copperhead and Firefly.|
Batman: Arkham Origins brings back the mechanics that have worked so well in the previous games in the franchise, so you have the incredibly satisfying combo / counter system for fighting large groups of enemies. As the game goes on, it introduces more and more special enemy types, each with their own way of being taken down, from armoured henchmen, ones that wield knifes, shield carrying guys and more. It keeps the player on his toes as you constantly have to switch your tactics and dart around the battlefield to stay out of danger.
Then we have the "Invisible Predator" system, where you're frequently locked in a room full of armed goons, and have to take them all down to move on. Simply wading into their midst with your fists flying will quickly get you killed, so you need to make use of conveniently place places to perch on and other hidey holes such as grates in the wall, and strategically take them out one by one. It's still incredibly satisfying to lurk in the shadows until an unsuspecting gang member happens to walk right underneath you, then dive down and string them up! Should you happen to be detected and are at risk from gun fire, you can quickly throw down a gas pellet and make your escape.
The online multiplayer mode is extremely well designed and adds something new to the genre in the same way that the multiplayer of the Assassin's Creed series did, yet I think I left it a little too long to try and get into it. My own ineptitude combined with the dark maps and the extremely high levels of those still playing, meant that I was hopelessly outmatched in the handful of games that I took part it. I expect if I persevered I would improve, but I'm not really an online kind of guy so I would prefer to move on to the next single player experience. The unique thing about the online mode though is that as well as your typical gang vs gang gameplay with fairly standard weapons, a third team plays the parts of Batman and Robin. They win by intimidating the members of the Joker and Bane gangs - which is achieved by taking them down in as quiet and as varied a way as possible. Indeed I had the most fun when I played as Batman for one match, as he is far more agile then your common thug and can make use of his detective vision at all times.
The online seemed to be having a few technical issues when I tried it though - often whilst waiting for a match the entire lobby would be reset so that I was waiting on my own, and once or twice I was dropped from a match in progress. There aren't a huge amount of people still playing, either - though that's only be expected as the game has been out for around 9 months already. People move on quickly in the gaming world.
Innovation and Cleverness: 6 out of 10
While the game is indeed cleverly designed, the single player mode is essentially retreading the same formula that has been used in the two previous games. I would have given this game a lower score in this category if it weren't for the rather innovative online mode, which does add something genuinely new to both this franchise and online gaming in general.
Value and Replayability: 7 out of 10
The single player campaign is fairly brief, yet I was satisfied overall with the length of it. Hardcore players can go back for more with the New Game Plus and I Am The Night modes, which increase the challenge significantly. Then if you can find sufficient people to play with the online mode potentially extends the game play for a long time, though as I mentioned previously the community seems to be dying off a little bit, at least on the Xbox 360.
Overall: 8 out of 10
I was quite surprised just how much fun I had playing through Batman: Arkham Origins, especially when I thought I was done with the series after Arkham City. I really enjoyed the story in this one, which was a fairly slow burn for the first half. Once the "twist" happens it's a fairly rapid plunge towards the end of the game. Before I sign off, I must also add that I quite enjoyed most of the side content this time. I still haven't got the patience to find and solve every single of the the Enigma puzzles, but I did take the time to do everything else, and had great fun doing so. This game really brought me back on board after the double disappointment of Arkham City and of The Dark Night Rises at the cinema, so I'm now really looking forward to seeing what Rocksteady Games brings to the table with Arkham Knight.
Monday, July 21, 2014
While not a drastic leap over Grid 2 or anything else out there on the Xbox 360, Grid Autosport is still a solid looking game. The cars and tracks are nicely detailed, the frame rate is solid with almost no sign of slowdown or glitching, and the damage model is impressive with cars deforming and losing tires realistically. The main thing that's wrong is the ugly looking cockpit view, but considering that the previous game didn't even have one, that's still progress for you. We all know that Codemasters is capable of better though, so it's a shame that the insides of the cars haven't received a little more polish.
Sound and Music: 7 out of 10
The music used in Grid Autosport is perfectly fine, yet it is only present in the menu's and in race replays. During races there is a complete lack of any music at all, which I think is a shame but has probably been done to appease petrol heads who would prefer to hear the engine note of their car at all times. If I remember rightly, in the previous Grid games some dramatic chase style music would kick in on the final lap of a race, increasing the excitement, but that's gone now. You can still use custom soundtracks of course. The engine roars sound perfectly decent to my untrained ears, and there's definitely a noticeable difference between the high pitched whine of an open wheel car compared to the growl of a muscle car. Finally, we have the voice over, which consists of the dulcet tones of some lady who introduces all the different race disciplines to you at the start of the game, and your team manager who talks to you over the radio during races. You can press different directions on the D-pad during a race to request different information from him, such as how your team mate is doing, where you rival is and how far you're behind the car in front. Useful stuff!
|I totally didn't mean to wipe that guy out in my video review - I just braked too late for the corner, honest!|
In my opinion, the structure of Grid Autosport is a definite improvement over Grid 2. Considering that the heritage of the Grid series stretches back to TOCA Touring Cars for the PS1, it's a shame that touring cars have been completely absent from the series for a while. Not anymore though, they're back in Grid Autosport and have a sizable presence within the game. Besides this, there are another four disciplines: Open Wheel, Endurance, Tuner, and Street. Each of them feel distinct from one another, from the handling, the rules of a race weekend, and the types of event found within. For example under the Tuner discipline, you will find standard racing as well as Time Attack and Drift events. I've previously hated the Drift events in other racing games but Grid Autosport manages to get things right by making them optional events for the most part, and not a critical part of seasons.
Endurance is really the only discipline that I don't enjoy, and that's mainly because I'm not very good at it and find it slightly boring. Every Endurance race takes place at night, uses a timer (about 8 minutes by default) instead of a set number laps, and has tire wear turned on. You have to drive cautiously and sensibly during the early parts of a race so that you've got enough left in your tires for a charge at the pack towards the end. It's just not my thing really, and I dread having to complete a season of Endurance just so that I can earn enough XP for the next Grid championship. I should take a step back here and explain how that works. You see, you have a separate level for each of the main disciplines, which you level up by completing seasons and fulfilling goals that your chosen team sets for you. Then there are special cross discipline Grid championships that require you to be a certain level across all the disciplines - the first being at level 3, the next and 6, and the final one at level 9. So while you can focus on just your favourite disciplines for a while, eventually you will have to play them all if you want to "complete" the game.
Speaking of my favourite disciplines, I enjoy Street and Touring Car the most, followed by Open Wheel and Tuner. The handling model and the pack racing of Street and Touring Car simply feels the most enjoyable to me, whereas the Open Wheel cars are a bit more of a challenge. Drift and Time Attack aren't the most exciting of event types to me, but Tuner is pleasant enough to be an interesting way to break up the other discipline types.
Before I move on, I just want to quickly go over the online mode. Here, you start with your own Golf GTI and $10,000 to your name. That doesn't limit you just to low end Street races though, as you are given loaner cars to any of the different disciplines or car classes. The idea is to get some races under you belt with these loaner cars, build up your cash, and then buy cars of your own that you can upgrade and tune. There's a vast range of different car classes though, so deciding which car to buy first can be difficult. You don't really have to worry about it for a while though, so just enjoy so races in the cars they loan you. If you play in one of the Codemasters play lists as opposed to setting up your own lobby, then damage is set to on by default. This can be problematic because as we all know, random players online race like complete tossers, ramming into everyone on purpose. This can smash up your vehicle and see you having to pay out a hefty repair bill at the end of the race, slowly your progress to buying your own car.
Performance wise though everything seems fine online - I didn't notice any problems with lag when I tried it and there weren't any disconnection issues. The only thing I would recommend if your more interested in the online multiplayer mode than the single player, is to consider getting the PC version rather than one of the console versions. At the Xbox 360 and PS3 are both winding down, then the community for this game may not be around for the long term. At least you know the PC isn't going anywhere.
Value and Replayability: 8 out of 10
The single player campaign is huge - getting to the level cap with each of the five disciplines and beating the Grid Legends championship will take a good deal of time. Then you have the online multiplayer mode to dive into after you've finished, which is vast as well. There are also a sizable amount of tracks in the base game - admittedly a lot of them are reused from Grid 2 but there are some new ones as well. Plenty of game to get stuck into.
Overall: 8 out of 10
Grid Autosport is an incredibly solid and fun realistic racing experience. While the number of disciplines available may seem on the lean side compared to the days of TOCA Race Driver 2 and 3 which both featured around 30, a lot more care has been taken over each one so that they feel right and do justice to the particular branch of the sport they are emulating. Hopefully we will still see a Grid 3 or whatever they decide to call it on the next generation platforms at some point, but until then I'm perfectly fine with keeping my Xbox 360 plugged in!